Anna von Hausswolff
January 9, 2027 at 8:00 PM · Great American Music Hall, San Francisco, California
Lineup: Anna von Hausswolff
<p style="margin:0;"><i>Popscene Presents </i></p><br><p style="margin:0;"><b>NEW VENUE: </b>GREAT AMERICAN MUSIC HALL</p><br><p style="margin:0;"><b>NEW DATE: </b>SAT, 1/9/27</p><br><p style="margin:0;"><b> </b></p><br><p style="margin:0;"><b>ANNA VON HAUSSWOLFF</b> (Sweden)</p><br><p style="margin:0;">Monday, March 16, 2026</p><br><p style="margin:0;">7pm doors, 8pm show</p><br><p style="margin:0;">$20.00 advance, $25.00 day of show</p><br><p style="margin:0;"><a href="https://open.spotify.com/artist/1eiXrvua27VlWgZ9kiaIn6?si=zOhY174RRTayznLFJdMCyw" target="_blank"><b>Anna von Hausswolff</b></a> is a Swedish musician and composer whose work carves out space for the celestialand the transcendent to enter into the modern world. Following her breakthrough album,Ceremony(2012), von Hausswolff's subsequent releases quickly cemented her as an artist of unpredictable and vastcreativity, always moving forward, always melding tradition with experimentation in unimaginable ways.Taking the pipe organ, with its ancient whirringcharacter, as her instrument of choice, von Hausswolf'ssound has long played with the ethereal qualities of breath: of taking in, holding, and releasing it. Thissometimes takes the form of colossal, doom-laden rock songs, and at other times, as intimate organpieces. OnICONOCLASTS, her sound evolves again, bringing a poppier and more vibrant element to hermoving songs.ICONOCLASTSis von Hausswolf's sixth LP, and her debut release on Swedish recordlabel YEAR0001. Produced by von Hausswolf and longtime collaborator Filip Leyman, it is an opus ofstirring movement, anthemic ritualism, and maximalist composition, marking a new chapterin vonHausswolff's music and featuring appearances from Ethel Cain, Abul Mogard, Iggy Pop and Maria vonHausswolf.ICONOCLASTSbegins with brass heralding out, beckoning listeners into the boundless story that isabout to unfold. Before long, von Hausswolf's first beaming vocals ring out: "I came to take you back towhere you came from, but that's not what you want." From this, the groundwork is set for an album ofblistering, mounting tension and hard-fought, euphoric release. Addressing themes of love, freedom, andautonomy, its title,ICONOCLASTS, hints at a shattering and reimagining of the sacred personal symbolsthat bubble under the surface of contemporary life: commitment, time, dependency, and belief.In this pursuit, von Hausswolff chooses Atlas—he who carries the world's weight upon his shoulders—asa sympathetic character. How does one find the strength to prevent collapsing in these trying moments?</p>
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